Three poems to words by Czesław Miłosz for soprano and 12 instruments, 1973-1977.

Roman Palester initially wanted to write a cycle for voice and piano to words by Miłosz. The first sketch of the work in that version comes from 1973. Some time later the composer replaced the accompanying instrument with harp (a manuscript of this version has survived). Finally, in 1975 the composer began working on a piece for soprano and a small, unusual instrumental ensemble (harp, piano, celesta, four violins, three violas and two cellos). The work was completed in 1977 and the premiere took place in Paris on 18 May 1979. The performers were Marta Sartova and the Formation de Chambre du Nouvel Orchestre Philharmonique de Radio France.

Palester chose three poems by Miłosz from 1943: Faith, Hope and Love. The use of the word “poems” in the title indicates that the composer intended to create a work in which music would be strictly subordinated to words. Indeed, Palester uses here Sprechgesang and the poem structure shapes the musical form.